Shout to the editors of The Journal of Public Finance and Public Choice for selecting my forthcoming academic article “Adam Smith’s Blind Spot” as part of the Editors’ Choice collection for the journal. The collection consists of six research papers in all, and you may view my work as well as the rest of the collection here: Editors Choice JPFPC
Most importantly, this means that my article will be free to access until 31 January 2026.
FYI: “Buena Vista Social Club” is a musical production that had an off-Broadway run at the Atlantic Theater Company in 2023 and then transferred to Broadway in 2025, opening at the Gerald Schoenfeld Theatre. The musical is set in Havana and spans from the 1950s to the 1990s, highlighting the lives of four prominent Cuban artists and the impact Fidel Castro’s dictatorship had on them at the time, culminaring with their eventual collaboration in 1997 on the landmark album Buena Vista Social Club. ¡Viva Cuba Libre!
“Writing is thinking,” a June 2025 editorial in the journal Nature on the value of human-generated scientific writing in the age of large-language models.
Bonus link: “The Claude Test,” a fascinating blog post by Hollis Robbins, a former Dean of Humanities at the University of Utah. Dr Robbins poses a provocative question: What would happen if an AI tried to enroll in college this fall?
According to Wikipedia (footnotes omitted; links in the original), “Rififi (French: Du rififi chez les hommes) is a 1955 French crime film adaptation of Auguste Le Breton‘s novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony ‘le Stéphanois’, Carl Möhner as Jo ‘le Suédois’, Robert Manuel as Mario Farrati, and Jules Dassin as César ‘le Milanais’. The foursome band together to commit an almost impossible theft, the burglary of an exclusive jewelry shop in the Rue de la Paix. The centerpiece of the film is an intricate half-hour heist scene depicting the crime in detail, shot in near silence, without dialogue or music.”
(Shout out to cinéaste Eddie Muller, the host of Noir Alley, for featuring this classic French film noir on Turner Classic Movies (TCM) last month. Among the things I learned from Muller, film critic and future director François Truffaut praised Rififi this way: “Out of the worst crime novel I ever read, Jules Dassin has made the best crime film I’ve ever seen.”)