Act I, scene ii of “David Hume in the Library of Babel”
My previous post went over the first paragraph of Jorge Luis Borges’ The Library of Babel, which describes the setting of the story: an “infinite” library consisting of an indefinite number of interlocking hexagons. The second paragraph of the story introduces our narrator:
In my previous post, I posed a crazy thought-experiment: What if David Hume were to find himself in Jorge Luis Borges’ imaginary “Library of Babel”? But what does this imaginary world look like? Here is the first paragraph of Borges’ short story The Library of Babel:
I have been busy working on a new whimsical literary project this week and will be sharing the fruits of my intellectual labors here starting today. My prologue is below the fold:
In the 12 years of his pontificate, the late Pope Francis visited 68 countries giving life to a tireless mission to take the Word of God and the comfort of His love to the whole human family.https://t.co/voKp0sM78y
Today (17 April) is the 64th anniversary of the “Bay of Pigs” invasion for the liberation of Cuba. Building on previous accounts of this covert and controversial operation (see here, here, or here, for example), last year I wrote a heartfelt homage to the brave and idealistic men of this doomed military expedition: Who Betrayed the Cuban Brigade?
Via Wikipedia (links and footnotes in the original), I stumbled upon this remarkable anecdote of the time when Mario Vargas Llosa punched Gabriel García Márquez in the face:
“In 1971, Vargas Llosa published García Márquez: Story of a Deicide (García Márquez: historia de un deicidio), which was his doctoral thesis for the Complutense University of Madrid.[36][37] Although Vargas Llosa wrote this book-length study about his then friend, the Colombian Nobel laureate writer Gabriel García Márquez, they did not speak to each other again. In 1976, Vargas Llosa punched García Márquez in the face at the Palacio de Bellas Artes in Mexico City, ending the friendship.[38] Neither writer publicly stated the underlying reasons for the quarrel.[39] A photograph of García Márquez sporting a black eye was published in 2007, reigniting public interest in the feud.[40] Despite the decades of silence, in 2007, Vargas Llosa agreed to allow part of his book to be used as the introduction to a 40th-anniversary edition of García Márquez’s One Hundred Years of Solitude, which was re-released in Spain and throughout Latin America that year.[41] Historia de un Deicidio was also reissued in that year, as part of Vargas Llosa’s complete works.”
See also this story about the quarrel in El País as well as footnotes 38 and 39 below the fold.